Performance Comparison of Naive Bayes and Support Vector Machine Methods in Music Genre Classification Based on Audio Signal Feature Extraction Using Mel-Frequency Cepstral Coefficients (MFCC)

Authors

  • Kevin Putrayudha Naserwan Universitas Sriwijaya
  • Kanda Januar Miraswan Universitas Sriwijaya
  • Meylani Utari Universitas Sriwijaya

DOI:

https://doi.org/10.30871/jaic.v10i1.11770

Keywords:

Naïve Bayes, Support Vector Machine, Music Genre Classification, Mel-Frequency Cepstral Coefficients, Audio Signal Processing

Abstract

Music genre classification has gained increasing attention with the emergence of digital music platforms. One of the relevant features extracted from audio signals is Mel-Frequency Cepstral Coefficients (MFCC), which is widely recognized as an effective technique. MFCC features are extracted at the frame level and aggregated at the clip level to represent each music track, making them suitable for audio-based classification tasks. This study applies Naïve Bayes and Support Vector Machine (SVM) algorithms for classification using the GTZAN dataset consisting of 1,000 audio files from 10 music genres, each with a duration of 30 seconds. The performance of these methods is evaluated using accuracy, precision, recall, and F1-score. The results show that SVM demonstrates superior performance, achieving an accuracy of 95.25% compared to 50.37% for Naïve Bayes. This performance gap can be attributed to SVM’s ability to model non-linear decision boundaries and effectively handle high-dimensional MFCC feature spaces. The main contribution of this study lies in the systematic evaluation of multiple SVM kernel configurations and parameter settings, providing empirical insights into the robustness of classical machine learning methods for MFCC-based music genre classification. This study concludes that SVM is better than Naive Bayes in music genre classification with MFCC feature extraction.

Downloads

Download data is not yet available.

References

[1] Y. Zhang and T. Li, “Music genre classification with parallel convolutional neural networks and capuchin search algorithm,” Scientific Reports, vol. 15, no. 1, p. 9580, 2025.

[2] R. A. Oladejo, A. A. Abayomi-Alli, O. Arogundade, A. A. Adeyanju and M. O. Lawrence, “ Artificial Intelligence in Music Genre Classification: A Systematic Review of Techniques, Applications, and Emerging Trends,” Cureus Journal Of Computer Science, 2025.

[3] A. Alamsyah, F. Ardiansyah and A. Kholiq, “Music Genre Classification Using Mel Frequency Cepstral Coefficients and Artificial Neural Networks: A Novel Approach,” Sceintific Journal of Informatics, vol. 11, no. 4, pp. 937-948, 2024.

[4] P. Ghosh, S. Mahapatra, S. Jana and R. K. Jha, “A Study on Music Genre Classification using Machine Learning,” International Journal of Engineering Business and Social Science, vol. 1, no. 4, pp. 257-268, 2023.

[5] T. Pratiwi, A. Sunyoto and D. Ariatmanto, “Music Genre Classification Using K-Nearest Neighbor and Mel-Frequency Cepstral Coefficients,” Sinkron : Jurnal Dan Penelitian Teknik Informatika, vol. 8, no. 2, pp. 861-867, 2024.

[6] L. Abdoune, M. Fezari and A. Dib, “Indoor Sound Classification with Support Vector Machines: State of the Art and Experimentation,” International Journal of Computational Methods and Experimental Measurements, vol. 12, no. 3, pp. 269-279, 2024.

[7] M. Müller, Fundamentals of Music Processing : : Audio, Analysis, Algorithms, Applications, Switzerland: Springer, 2015.

[8] N. Asanah and I. Pratama, “Deep Learning Approach for Music Genre Classification using Multi Feature Audio Representations,” Sistemasi: Jurnal Sistem Informasi, vol. 14, no. 5, pp. 2045-2054, 2025.

[9] G. Tzanetakis and P. R. Cook, “Musical Genre Classification of Audio Signals,” IEEE Transactions on Speech and Audio Processing, vol. 10, no. 5, pp. 293 - 302, 2002.

[10] S. Aggarwal and N. Aggarwal, “Classification of Audio Data using Support Vector Machine,” International Journal of Computer Science and Technology, vol. 2, no. 3, pp. 398-405, 2011.

[11] P. Sawaengsawangarom, S. Phongoen and P. Wongchaisuwat, “Deep Learning for Music Genre Classification: A case study of Thai music,” in 2025 International Conference on Multimedia Retrieval, 2025.

[12] Ardiansyah, B. Yuliadi and R. Sahara, “Music Genre Classification using Naïve Bayes Algorithm,” International Journal of Computer Trends and Technology (IJCTT), vol. 62, no. 1, pp. 50-57, 2018.

[13] J. Han, M. Kamber and J. Pei, Data Mining: Concepts and Techniques (3rd Edition). The Morgan Kaufmann Series in Data Management Systems., Elsevier, 2012.

[14] C.-W. Hsu, C.-C. Chang and C.-J. Lin, “A Practical Guide to Support Vector Classification,” 2003.

[15] T. Li, M. Ogihara and Q. Li, “A Comparative Study on Content-Based Music Genre Classification,” in Proceedings of the 26th annual international ACM SIGIR conference on Research and development in informaion retrieval, 2003.

[16] D. Barchiesi, D. Giannoulis, D. Stowell and M. D. Plumbley, “Acoustic Scene Classification: Classifying environments from the sounds they produce,” IEEE Signal Processing Magazine, vol. 32, no. 3, pp. 16-34, 2015.

[17] T. C. Ba, T. D. T. Le and L. T. Van, Music genre classification using deep neural networks and data augmentation, Elsevier, 2025.

Downloads

Published

2026-02-04

How to Cite

[1]
K. P. Naserwan, K. J. Miraswan, and M. Utari, “Performance Comparison of Naive Bayes and Support Vector Machine Methods in Music Genre Classification Based on Audio Signal Feature Extraction Using Mel-Frequency Cepstral Coefficients (MFCC)”, JAIC, vol. 10, no. 1, pp. 309–315, Feb. 2026.

Similar Articles

1 2 3 4 5 > >> 

You may also start an advanced similarity search for this article.